For more than three decades, Dominique Gonzalez-Foerster has created environments in which art, literature, cinema, architecture, music, and speculative fiction converge. Moving between installations, films, performances, interiors, and imagined futures, she approaches the exhibition itself as a medium—one capable of transporting viewers across places, periods, and states of consciousness. Her work is populated by references and apparitions, from modernist architecture and tropical landscapes to literary characters and possible worlds.

Bringing together works from across Gonzalez-Foerster’s career, Dominique Gonzalez-Foerster explores a practice devoted to the construction of experiences rather than autonomous objects. Featuring two newly commissioned critical essays and an extensive conversation with the artist, the volume traces the evolution of her work from early environments to increasingly expansive investigations of fiction, identity, time, and space.

I think this gives J. J. Augustin a much clearer structure going forward and makes the distinction between Monographs, Portraits, and Journals immediately understandable.